Page 7 of 25 · Researched one game at a time
Long-form introductions built from official records, manuals, interviews and inspectable archives—with every displayed image credited to its Nintendo page.
The story library
Game story
Nintendo’s two-part Disk System adventure turns a familiar Japanese storybook shelf into a place to poke, question and occasionally derail. A boy from a bowl, a girl from bamboo, a command called ‘change person’ and nine brisk chapters make its fairy-tale world feel surprisingly playable.
Meet the gameGame story
In 1984, Xevious gave the Family Computer a strange, beautiful war zone: forests and rivers scroll beneath Solvalou, flying enemies demand fast fire, ground installations ask for a separate bomb sight, and every confident move has a second target hiding below it.
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Nintendo's austere 1983 Famicom board game starts in the middle of an argument: Black must build exactly five without creating the wrong kind of threat, White may turn every restriction back on its opponent, and a modest cursor makes all that pressure visible on a television screen.
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Nintendo's 1984 Famicom Golf turns an 18-hole round into a tiny ceremony of choice: read a wind arrow, select a club, face the right way, then decide exactly when three taps of A should turn a pixel golfer's swing into either a clean line or a very long walk out of trouble.
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Data East’s 1994 billiards game makes a small green table feel like an American tour, a geometry lesson, and a high-wire act: call the lowest ball, nurse the cue ball, then decide whether a daring trick is worth the next miss.
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Nintendo's 1984 Famicom Urban Champion reduces a fight to high and low guards, quick and heavy punches, a narrow street and one very unforgiving manhole. Its simplicity is not emptiness: every step backward becomes territory, every pause becomes a bluff, and even the falling flowerpot has an opinion about who deserves the next hit.
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The Japanese N64 original turns a rescued litter of Baby Yoshis, thirty pieces of fruit and a handmade storybook into a platformer with two speeds: an easygoing first trip through the pages, then a very particular score chase hidden inside every cheerful bite.
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Nintendo's 1989 NES Tetris makes a ten-by-twenty rectangle feel like a stage, a spreadsheet and a cliff edge at once. Seven shapes descend, the music keeps its private pulse, and every clean line asks whether the player is building safety or delaying a more spectacular risk.
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Culture Brain’s 1991 Super Famicom game plays a recognisable game of baseball until someone spends Ultra Points on a ball that disappears, a hit that knocks out its catcher, or a fielder who jumps high enough to steal back the impossible.
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Camelot’s Japanese N64 original makes tennis legible at a glance—then quietly builds a fierce game of positioning, charged returns, character quirks and four-player chaos around two face buttons.
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The 1991 Japanese Famicom Battletoads makes Rash and Zitz look indestructible just long enough for a tunnel, a falling shaft or a giant snake to prove otherwise. It is a rescue adventure built from outrageous finishing blows, abrupt genre changes and the particular panic of learning a level one crash at a time.
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Nintendo’s 1998 Super Famicom oddity turns Mario’s hammer into a way to build matches, throw colour-coded disasters at a rival, and meet a cast that eventually includes a flying rice ball, a ghostly girl, a workman, and a dogū.
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