Page 8 of 25 · Researched one game at a time
Long-form introductions built from official records, manuals, interviews and inspectable archives—with every displayed image credited to its Nintendo page.
The story library
Game story
Treasure and Nintendo’s Japanese N64 original turns a fleeing hero, a floating reticle and a close-range blade into one breathless action language—then keeps changing the view before the player can settle into a routine.
Meet the gameGame story
In the 1990 Japanese Famicom sequel, Ryu Hayabusa does not merely cross dangerous rooms. He clings to their walls, sends shadows ahead of his own movement, and fights through weather, darkness and a conspiracy that keeps cutting the action like a tense little film.
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Nintendo’s 1996 Super Famicom adventure turns a summer camp rescue into a playful expedition of pointing, asking, carrying, swimming, building and occasionally sending the right boy through the wrong-looking hole.
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The original Japanese Nintendo 64 flight shooter turns its route map into a dare: fly well enough to reach harder worlds, keep three argumentative pilots alive long enough to hear their advice, and decide whether the next radio call is worth breaking formation for.
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The 1984 Famicom Pac-Man brings a famous arcade chase into the living room without losing its essential nervous rhythm: eat a dot, choose a turn, read four different pursuers, and decide whether a power pellet is rescue or bait.
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The 1994 Japanese Super Famicom adventure sends Pimple and Rash into a televised game world, then treats every wild Morph attack, collapsing path, vertical descent and frantic race as a reason to laugh once and concentrate twice.
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The 1985 Famicom version turns one key, one door, and one knight’s nervous sword-and-shield stance into a long ascent where the real map is not the maze on screen, but the information players carry between attempts.
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Before third-person shooters made cover a familiar button press, Koei's original N64 mission put Jean of S.C.A.T. in a hostile military facility with a laser-sighted pistol, an impatient satellite overhead, and an unusually persuasive reason to put his back against every wall.
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The original Japanese Nintendo 64 adventure makes Mario, Peach and Bowser into paper cut-outs without making them feel thin: every turn asks for timing, every partner changes the route, and every strange little side scene treats the Mushroom Kingdom like a place with chores, gossip and cake emergencies.
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Irem’s 1991 Super Famicom arrangement of R-Type II material turns the R-9改 and its indestructible Force into a tense little pact: attach it for five laser families, detach it to fire elsewhere, charge a beam when there is room, and try not to die before the level takes it all away.
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In Bandai Namco’s 1989 Famicom original, Carton does not jump on dolls or fire at them. He flips the floor under their feet, turns the room into a moving deck of cards, and learns that a friendly second player can be either rescue crew or sabotage.
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Jaleco’s 1991 Super Famicom Big Run sends one driver from Tripoli to Dakar over nine timed stages, but its real race begins before the start line: choose a sponsor, hire a crew, pack the right parts, and decide how much speed you can afford to carry away.
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